A double bass, about four meters long in the orchestra; A Lithuanian Acardian who prefers to play in Buland Heights; A South African cellist who sings to the audience: Ringu music celebrations presents special people in particular places and have become one of the largest festivals in Europe, but therefore classical but therefore hosts jazz, pop and world music.
“Slights are an integral organ for us,” Marsilius of the Settings, Managing Director of the festival. “We bring unique concerts to historical and modern places in the region.”
The discovery of historical sites in the Ringau region that grows alcohol in the Central German State of Hesse is in the form of medieval Eberbach Math, where the festival opens the place for the film adaptation of Amber Eco’s novel in 1986 in 1986, “The Name of the Rose.”
Meanwhile, Eberbach Basilica is designed for large orchestra and powerful voices, along with its thick monastery walls.
The 19th -century French composer Charles Gounod opened the festival at St. Sesilia Mass and peformed the MDR radio songs and the Hesicor Randfank Symphony Orchestra.
Orchestra director Ellen Ultinoglu said, “The church has a long re -rehabilitation, which is not easy for the orchestra, but approves for the church of Gounod.”
Spanish music focus
Armenian violin player Diana Edmayan kicked the concert with Spanish music, which included pieces of Pablo de Saraset and film composer Franz Waxman.
Adamayan quickly got into a habit of revaluation.
“I felt the walls were absorbing music,” she told DW. “It was as if the entire Basilica was vibrating and dancing with us. It was a wonderful feeling.”
Edmayan thrilled the audience with his delicate virtuous tones in the highest register. Dance in Spain, and music, and two are two of the main subjects of this year’s festival.
A huge contrast was performed from the orchestra during the “St. Cesilia month”. French violin manufacturer Jean-MPTist Vuilumes created the so-called “Octobas” in the mid-19th century for composer hectares Berleys.
The Octobas have only three sides and, more than three and a half meters, the largest double bass in the world and a deep, painting sound for the match. Only a few replicas remain, with one, a specificly borrowed for the evening with one.
Renhard Ernst Museum Hosters Electronic Music
The music evening will be held on this year’s festival, among the vines of grapes, in the surrounding palace, in an old barn, and for the first time in the New Rainhard Arnst Museum.
Lithuanian composer Martinus wants to play his agreement between levikis abstract paintings. Hey so much unusual place and voice of love.
“I want to do something with electronic music producers for a long time,” hey said. “It wants to go to music with a clubbing atmosphere and lots of crazyness.”
For the program’s director Timo Bako, Levicis is an artist with vision: “For the concert in the museum, the Wesbden Force to take in space. He then saw the performances for inspiration and thought of music concept.”
Levicis is known for abnormal performance, including taking into the sky with its equipment in a hot air balloon.
As one of the focus artists of the festival, the Lithuanian wants to perform several times in Ringu. His “da Vinci Dream” show includes music from 400 -year -old Acardian History.
Hee received a tool for the introduction of the same music from the Netherlands: with the so -called organneto, bang and small limb pipes, was designed according to the sketch by painter and inventor Leonardo da Vinci.
‘She is ice music’
Another artist with the vision is Cellist Abel Cello from South Africa. His “African routes” performance with Stutgart Symphony Orchestra saw him singing on classical and modern music.
Sometimes Selaoco stomps on the floor, as in the traditional dance of its motherland, sometimes he encourages the audience to sing together.
“He does not think in the context of the styles, he is the music,” said Bako. “This is something new, it’s nothing like this in our industry.”
The search performance is an experiment at the Rheingau concert, the program director said. “We have to show these artists and therefore this diversity; it is our responsibility and finally it is the festival what it is.”
This article was original in German.
